Story Behind the Shot: Rio Serrano BW

Black and white landscape photo of Rio Serrano and Torres del Paine National Park in Chilean Patagonia by Adam Barker Photography

Black and white landscape photo of Rio Serrano and Torres del Paine National Park in Chilean Patagonia by Adam Barker Photography

I captured this image on the 10th day of a nearly 3-week run and gun mission through the wilds of Chilean Patagonia. The impetus for the trip was really fly fishing, but I knew I would be served numerous opportunities to shoot scenic imagery as well, especially in the famed Torres del Paine National Park.

By day number ten of waking up before the sun, motivation comes more in the form of a slow, sad drip than a flood of excitement and energy. I was tired (aren’t we all???), and as I set my alarm clock for yet another mind-numbing hour, I wondered if I was really going to rise and shine, or even rise at all. Throw in the fact that skies were socked in and the likelihood of morning light was minimal, and I was darn near comatose by the time my head hit the pillow.

4:30 am came way too early, and as I peered out my window, my fears (hopes???) were confirmed as the weather still looked to be less than ideal for a sunrise shoot. I was a mixed bag of fatigue-induced emotions, equal parts stoked to justify a few more hours of sleep as well as disappointed that my hopes for an epic sunrise were dashed. I lay back down–restless. Minutes ticked by…I couldn’t do it. I had to get up. No matter how I tried to justify, I could not…not shoot. Here I was in one of the most wildly beautiful places on earth, and damn it all if a few clouds and half-closed eyelids were going to hold me back…

I frantically threw on my clothes, grabbed my pack, turned on my headlamp and out the door I went.

As part of a larger group during the entirety of this trip, I did not have my own car, so I was relegated to shooting locations that were relatively easy to get to from where we were staying. As I walked hurriedly up the dirt road, the clouds began to clear a bit, and the ambient light began to grow brighter.

Let’s clarify something real quick here–dawn is a fantastic time to shoot landscape imagery. The light is soft and inviting. It is one of my favorite types of light to shoot. Dawn, however, is incredibly fleeting. It does not occur right before sunrise. Typically, dawn happens about 8-15 minutes before sunrise. These were the thoughts that were going through my head as I watched dawn grow closer…and closer. I quickly realized that I had myself in quite a conundrum…I was still a decent ways away from my pre-selected shooting spot.

So I did what any photographer would do when suffering from the immediate effects of FOMI (Fear Of Missing It–closely related to FOMIA [fear of missing it ALL]).I STARTED RUNNING. I’m not talking casual fast-paced walk here. I’m talking Usaine Bolt arm-pumping, foaming at the mouth, heart coming through my throat sprint with a fully loaded camera pack. My lungs felt like the inside of a crematorium–I promise you I was closer to respiratory failure than Joan Rivers is to her next facial procedure…

With no time to spare, I arrived at “the spot”. I threw my pack on the ground, wrestled my camera onto the tripod, inserted the cable release, grabbed a grad filter and clicked away like the crazed photographer that I was/am. Sunrise was a bit of a bust, but dawn was worth every minute on the pain train. Moral of the story? Don’t set your alarm if you don’t plan on getting up. And if you do plan on getting up, don’t go back to bed for 10 min before putting yourself through hell to capture the goods. Oh, and the real moral of the story??? Don’t give yourself a choice. ALWAYS get up and go. I’ve never regretted getting skunked behind the lens, but I certainly wouldn’t mind taking back all the times I buried my head in the pillow…

Recap w BTS Video: Mountain Khakis SS14 Catalog Shoot

It’s cold and snowy outside at the moment here in UT (finally!), but I’m just now getting around to posting a recap of a ridiculously fun and productive shoot with the Mountain Khakis crew. Per the norm, we were able to combine the “work hard/play hard” mentality, and the entire shoot was a blur of catching my breath, yelling at talent (or not) and constantly remarking at how much I love my job.

The two primary locations for this shoot were Joseph, OR and the Main Salmon River. Both offered unique opportunities to capture “life untucked” in all it’s authentic glory. Check the gallery above for images as well as the BTS video below (shot by NS Innovative). We’re already planning our Fall/Winter 14 shoot–should be another epic!

 

 

Interview with Shoot to Earn

From tearful frustration to triumphant success, I get up close and personal in the video interview above…it offers unique insight into my career journey thus far…

Background: I had the great fortune of working with talented wedding and lifestyle photographer Aaron Dieppa during a week-long ad shoot for Manfrotto earlier this year. In addition to his great taste in hair-style ;) , he has a very enterprising mind and has recently launched an awesome website that will serve as an inspirational resource to budding photographers and experienced pros for years to come.He discusses about his career and offers tips plus he is part of family photographers adelaide

Check out www.shoottoearn.com for interviews with established photographers from portrait to landscape to advertising to…you name it.

I’m honored to be one of Aaron’s first interviews. It’s definitely lengthy, but I’d like to think it’s worth a lunch break or long car ride. Enjoy!

 

Desert Southwest Workshop with Adam Barker & Mylo Fowler, Oct. 11-13 2013

Desert SW Teaser

Preliminary Itinerary. (Weather permitting.)
• Location: Page, Arizona and Navajoland of Northern Arizona. Home area of Mylo.
“Mylo will always have the supreme upper hand in photographing this area of Northern Arizona. It’s his home!!! He has access the outside world doesn’t. For that reason and his knowledge of land, light and landscape photography mechanics, one may jeopardize his photographic visit if not with Mylo.” Name Withheld for Intended Purposes
(Photographer and Owner of Multiple Galleries on the Las Vegas strip and other locations).
• Workshop Host Location: Courtyard by Marriott 600 Clubhouse Drive. Page, AZ 86040.
• When: October 11-13th 2013 Three (3) full days. One of the only places where a workshop can use all the available light provided in a day. This isn’t a sunrise/sunset only photographic location. Adequate classroom work and rest will be provided. You won’t burn out.
• Where: 10-12 locations. Colorado River, Slot Canyons, sand dunes, sage and Navajo sandstone formations. How to use clouds to your advantage and how to create stunning images with severe clear –no cloud filled skies. (Weather permitting ☺)
• What: The Field Work. We will cover using an assortment of filters, composition, and artistic emotion in the image, why your best friends name is Histogram, tripod usage and creating panoramic images. A lot of hands on, one on one field work from award winning photographers Adam Barker and Mylo Fowler. They will always be in reach of assistance for help, review and critiques.
• Taking your photography to the next level: 5 to 6 Classroom Sessions: Conference Room setting. We will dive into exposing great images and creating stunning fine art with post processing software. We will cover creating exceptional compositions, controlling all elements of light, sharp as tact depth of field images, color renditions and high quality creativity from your camera. How to create a few supreme images instead of hoarding 5,000 images from a location you will never use.

One of the highlight classroom sessions will be the group critique sessions. Why? This will allow you to see your work from a different perspective. IF you want long lasting friends in the photography world, this is where a lot of the friendships start. Heck, even some marriages! For you single lads and ladies, this isn’t a place to find your future love. Actually, it is. Your love of photography will grow on this workshop! All in all you will get a chance to express your views, speak the same language with fellow photographers that your other friends and family just don’t understand….
• Who is this for? This workshop excursion with Adam and Mylo is for someone who:
➢ …Just bought or was given a digital camera last Christmas and wants to KNOW how to use it and what all the options mean in easy, understandable terms.
➢ …Has less than 5 years of photography experience.
➢ …Is a seasoned amateur or professional looking for the premium guide to the sweet places of Northern Arizona.
➢ …Wants to create 40” prints of stunning desert formations and slot canyon colors.
➢ …Wants to increase their photography IQ.
➢ …Likes hands on teaching. It is for someone who doesn’t want to read the 600 page Owners Manual and for someone who wants to get to the good and juicy elements of creating Award Winning Images.
➢ …Wants to return home knowing more about their camera, equipment and REALLY understanding the camera they bought and had all along.
➢ …Uses film or digital image capture systems. From Cropped sensor, full frame, 35mm, medium and large format film cameras.
➢ …Uses Nikon, Canon, Olympus, Sony and other systems.
➢ …Wants to expand their image design with various filters from Singh Ray and tripod systems.
➢ …Is getting ready to go on another world class trip and wants to know what to do on their trip. Trust me. You won’t believe how many people come on workshops so they know what to do in Italy, Alaska or in Antarctica. You will be better prepared for your next trip!
• Most importantly, you will have a safe and fun few days in the Desert Southwest! You will be able to create stunning images even in the wildest weather conditions.
The Area: The Colorado Plateau provides an array of image capture and composition. From Page, AZ to Mylo’s home which is about a 35 minute drive South of Page, you will climb over 2,000 feet in elevation. There truly is beauty all around. You will be able to photograph the butte’s that surround Lake Powell, Navajo Mountain that peaks at 10,387’ and other desert formations. October could provide some of the most interesting weather patterns. Snow, lightning, rain, puddles, fog, warm afternoons and incredible cloud formations are very likely. These are the ultimate natural elements in creating 5 star images. You will visually get a full access pass to the workflow, image capture and image creation of Adam Barker and Mylo Fowler. Ultimately, you will build upon your unique foundation and take your photography knowledge, presentation and portfolio to the next level.

It’s about having a memorable time and maybe you will have a life changing experience. Both Adam and Mylo have guided and provided similar workshop services for years. Mylo has guided slot canyon excursions and exotic landscape workshops that number into the thousands. He has worked with many camera makes and models, television companies from National Geographic to Weekend Explorer, publications from Outdoor Photographer Magazine to Arizona Highways. He was recently sought out to assist with Phase One (PODAS) and called on by some of the world’s finest Master Landscape photographers.

He is highly recommended by the Navajo Nation as a steward of the land and caters to personalize all experiences of high caliber companies, networks and the photographer’s experience.
• BONUS: 1.5 – 2 hour Session: Mylo will cover a “How To Create Fine Art and Do Well” class. He will dive into how to create Fine Art images. From creation to presentation. This is usually one of the highlights of the event. Mylo will share with you hot points, important aspects of fine art and how to create images you will be happy to display in your home or gallery. Especially if you are thinking about creating an extra income doing what you love! Taking photographs. He will share with you how to invest in your work. Roma Mouldings will be a sponsor of this classroom session.

We will have demo gear on hand for workshop attendees from the following sponsors: Singh Ray Filters, Manfrotto/Gitzo Tripods, Arc’teryx Outerwear, Clikelite Backpacks, Suunto Watches and Canon

Questions??? Contact Adam at 801-550-9141 or adam@adambarkerphotography.com.


Desert Southwest Workshop Fee



Rebate: From Capture to Cover/Manfrotto Webinar


Several months ago I did a webinar with the Manfrotto School of Xcellence on getting your work published. If you weren’t able to join me for the live presentation, kick back and check out this archived version. Enjoy!

Video: We Speak as One…


So pleased to share my favorite video produced from a shoot for the new Manfrotto BeFree tripod. We spent a week traveling to some of the most iconic photography locations in California–it was a dream job, with unbelievable locations and even better teammates. This video was produced by The Bui Bros–mad skills! Check out the full BeFree campaign here, and stay tuned for an in-depth blog post on the entire experience.

 

Joshua Tree Sunrise (Study in Light and DOF)

Intimate sunrise in the Cholla Garden, Joshua Tree National Park, CA.

Intimate sunrise in the Cholla Garden, Joshua Tree National Park, CA.

Who’s ready for a quick study in light and DOF???

This intimate sunrise image from the Cholla Garden in Joshua Tree NP is the perfect candidate.

Firstly–light. We all know that superb light is the lifeblood of any meaningful landscape image. Know light. Study it. Understand what it can do for your images. This image illustrates the qualities of having the light source behind your subject. “Backlighting” is perfect for accentuating shape and adding drama to your images. It filters through translucent, or light colored objects, and infuses tehm with life. Notice how each little needle on these cholla cacti are lit up, showcasing both the sheer magnitude and quirky nature of this location.

Secondly–this image is a legit study in depth of field. To help people better understand depth of field, I often compare my photographic frame to a loaf of bread. Think of the image in a three-dimensional way–the foreground is your front slice of bread, the background is your back slice of bread. Depth of field pertains to how many “slices” of bread will appear sharp or in focus within our image.

This image illustrates shallow depth of field. You can see that I’ve utilized a technique called selective focus to steer the viewer to a certain part of my frame, focusing on a certain cholla cactus. So, in reference to the loaf of bread example, I have very few slices of bread in focus. Selective focus (utilizing shallow DOF), is a very useful technique when you have busy compositions that would otherwise leave viewers confused and searching frantically for something to settle on visually.

Try this technique the next time you find yourself amidst a challenging, busy composition–and pay attention to that light source, give a go with backlighting!

Santa Monica (and time to reflect)…

Santa Monica Pier and Ferris Wheel with Seagulls.

Santa Monica Pier and Ferris Wheel with Seagulls.

It’s a quiet Sunday here in the 801, which gives me a moment for pause and reflection upon some of the past 45 days or so of shooting. It’s been a busy and productive couple of months–weeks that I will be able to look back on in 30 years with fondness…

This is a subtle, sleeper image that just happens to be one of my favorites from the past couple of weeks of work. It was the very first evening of a week-long shoot for Manfrotto, and I was simply hoping for a moment of serendipity.

At the time, I didn’t know I had captured it at all, let alone been fortunate to have clicked the shutter at the moment when a couple of seagulls were placed just perfectly in my frame…one near, one far…just out of alignment, but close enough to feel connected. Sure, I could recreate a moment like this in post, but to know that it occurred in reality is so much more gratifying…

This image evokes emotion, and for me, that is what makes it a keeper. It’s a moment that we have all lived, or would all like to experience at some point in our lives. It’s that care-free feeling that accompanies a salty breeze at the ocean’s doorstep. It’s the nostalgia that takes us back to a simpler time, when ferris wheels were far more important than interest rates and elections.

This image is about a state of being, as much as it is about the good state of California. It is about leaving the present for a moment, and traveling backwards or forwards…into lightness and frivolity.

Strive to capture images that evoke emotion. They are the reason so many of us turn to imagery for release.

Environmental Lifestyle Imagery: Don’t be Average

Angler Geoff Mueller casts to cruising bonefish at Bair's Lodge, South Andros, Bahamas.

What is an environmental lifestyle image? Seems pretty self-explanatory, right? It’s an image that gives as much (if not more) attention to the environment, as it does to the activity taking place. It’s the perfect marriage between location

and recreation. It’s the type of image so many of us fall in love with because it highlights both an action or activity as well as a beautiful place. It’s an image that is both beautiful from a straight photographic standpoint, and one that connects with many viewers on a more personal level depending on their experience with the activity actually taking place in the image.

For me, it’s like having my cake and eating it too. I discovered my passion for photography in scenic landscape work. I have also been an avid participant in many recreational pursuits since a young age. It’s a combo that takes me to many beautiful locations, while watching and/or participating in the things I love to do.

This image embodies everything I love about fly fishing on the ocean. Clean, open air. Limitless space. Uninhibited motion. Surreal landscape. Endless skies. Soft, barefoot sand. Whether approaching it with a camera, or a rod in hand, it is an absolute dream.

This image was captured about 15 min before sunset. Having that sun low on the horizon emphasized the repetitive texture in this spit of sand. The location was perfect here. The activity was spot on. But the light it what brought this image to life. Without light, this image is an average shot of a dude casting to bonefish on a pleasant spit of sand in the middle of the Bahamas. And we all know that average is just as close to the bottom as it is to the top.

Don’t be average.

The things we do…the places we go…

Skier Drew Stoecklein skinning through old growth forest in the Trinity Alps, CA.

The things we do…the places we go…

Is that not what this whole photography thing is all about??? The first memory I have of picking up a camera for any purpose beyond simply documenting what was occurring in front of me was to simply share with others. Share the beauty. Share the wonder. Share the ridiculous. Share the inspiring. Share something that made someone say “wow”. Share something that made someone want to go and explore their backyard, go adventuring and lose t

hemselves in that to which they are impassioned.

While some things have changed about my approach to photography, one thing remains constant–and that is my desire to share with others that which I see. I am fortunate to see crazy cool stuff in unbelievable locations all over the world. I count myself lucky each and every day.

This image reminded me of that this morning. Shot deep in the Trinity Alps of northern California, this locale felt like something out of a fairy tale. Skinning through old growth forests plastered with moss and lichen–so cool!

A telephoto lens was key in compressing the scene, enhancing the layers of forest, and filling the frame with color and texture. Understand your equipment, and how it can help you maximize each location and each shooting opportunity. Know what you want, and have the technical backing to go out and get it. Finally, share! Share your work. Share your vision. Inspire and be inspired!